Anatomy Interactive The Multimedia Companion to Anatomy of a Melody
Introduction
Page 1
“Sonny Stitt tenor sax solo “Avalon”
UNIT ONE Melody and Rhythm
1 A Perfect Tonic Major Scale Fragments, Rhythm, and Motivic Development
Page 8
EX. 1.2
“Hot Cross Buns” (Traditional)
Page 9
EX. 1.4
“Frère Jacques” (Traditional)
Page 12
EX. 1.12
“I want to be happy” (Youmans/Caesar)
EX. 1.13
“Jingle Bells” (Traditional)
EX. 1.14
“Jingle Bells” (Traditional)
EX. 1.15
“Love me or leave me” (Donaldson/Kahn)
Page 13
EX. 1.18
“The Charleston” Dance
EX. 1.18
“The Charleston” (Johnson/Mack)
LISTENING GUIDE
“Bo Diddley” (Bo Diddley)
“Faith” (George Michael)
“Iko Iko” (Traditional)
“Manteca” (Gillespie/Pozo)
Page 14
EX. 1.21
“Lean on me” (Bill Withers)
IMPROVISE
Page 16
EX. 1.26
“I’m a little teapot” (Traditional)
EX. 1.27
“My Bonnie lies over the ocean” (Traditional)
EX. 1.28
“Hickory Dickory Dock” (Traditional)
Page 19
IMPROVISE
Page 20
EX. 1.35
“C Jam Blues” (Duke Ellington)
EX. 1.39
Symphony No. 5 (Ludwig van Beethoven)
Page 22
EX. 1.45
“Old MacDonald had a farm” (Traditional)
Page 23
EX. 1.49
Louis Armstrong trumpet solo “St. Louis Blues”
IMPROVISE
Page 25
EX. 1.52
“Avalon” (Jolson/DeSylva/Rose)
EX. 1.53
“When the Saints Go Marching In” (Traditional)
Page 27
EX. 1.63
“Perhaps” (Charlie Parker)
Page 28
EX. 1.64
“C Jam Blues” (Duke Ellington)
Page 29
EX. 1.65
“‘Deed I do” (Hirsch/Rose)
EX. 1.66
“Over the Rainbow” (Harold Arlen)
Page 30
EX. 1.67
“St. Louis Blues” (W. C. Handy)
EX. 1.68
“Amazing Grace” (Traditional)
Page 32
EX. 1.69
Hank Mobley tenor sax solo “Home Cookin’”
IMPROVISE
2 Playing With Purpose Chord Tone Target Notes, Transposition, and Key Centers
Page 36
EX. 2.2
“The Star-Spangled Banner” (Key/Smith)
EX. 2.3
“Taps” (Traditional)
EX. 2.5
“Joy to the World/Antioch” (George Frederic Handel)
Page 37
EX. 2.10
“Blue Moon” (Rodgers/Hart)
Page 40
EX. 2.19
“Sunday” (Cohn/Miller/Styne/Krueger)
EX. 2.20
“Stardust” (Hoagy Carmichael)
LISTENING GUIDE
“Twinkle, twinkle, little star” (W.A. Mozart)
“When the Saints Go Marching in” (Traditional)
“Bye Bye Blackbird” (Henderson/Dixon)
“Tea for Two” (Youmans/Caesar)
“Triste” (Antonio Carlos Jobim)
"Bernie's Tune" (Bernie Miller)
“Solar” (Miles Davis)
Page 42
EX. 2.28
“When You’re Smiling” (Shay/Fisher/Goodwin)
Page 46
EX. 2.33
Charlie Parker alto sax solo “Lay your habits down”
EX. 2.34
“Sweet Georgia Brown” (Bernie/Pinkard/Casey)
EX. 2.35
“Lester leaps in” (Lester Young)
EX. 2.36
“Freddie Freeloader” (Davis/Kelly)
EX. 2.37
“Always” (Irving Berlin)
Page 47
IMPROVISE
Page 50
EX. 2.46
“Für Elise” (Ludwig van Beethoven)
EX. 2.47
“Down by the Riverside” (Traditional)
Page 58
EX. 2.71
Charlie Parker alto sax solo “Anthropology”
Page 59
EX. 2.74
Lester Young tenor sax solo “Lester leaps in”
Page 60
EX. 2.76
“When the Saints Go Marching in” (Traditional)
IMPROVISE
3 Night and Day Minor Key Melodic Targets and the Dorian Mode
Page 65
EX. 3.7
“St. James Infirmary” (Irving Mills)
Page 74
EX. 3.43
Chet Baker trumpet solo “Summertime”
Page 75
EX. 3.45
Lester Young tenor sax solo “Blue Lester”
IMPROVISE
Page 79
EAR TRAINING
”So What” (Davis/Chambers)
Page 80
EX. 3.64
”Scarborough Fair” (Traditional)
Pages 82
IMPROVISE
Page 83
IMPROVISE
Page 84
EX. 3.69
”So What” (Davis/Chambers)
LISTENING GUIDE
“So What” (Davis/Chambers)
“Flamenco Sketches” (Miles Davis)
“Little Sunflower” (Freddie Hubbard)
“Freedom Jazz Dance” (Eddie Harris)
“Cantaloupe Island” (Herbie Hancock)
“Maiden Voyage” (Herbie Hancock)
Page 86
EX. 3.77
Miles Davis trumpet solo “So What”
EX. 3.78
Stanley Turrentine tenor sax solo “Impressions”
Page 87
EAR TRAINING
Miles Davis trumpet solo “So What”
Page 88
